<\/figure>\nArtist not credited \ud83d\ude41<\/p>\n
Style: Traditional Doom Metal, Black Metal (Mixed Vocals)
Recommended for fans of: Celtic Frost, Pentagram, Darkthrone<\/p>\n
Release date: March 27, 2026<\/p>\n
\nWhere we start in a band’s discography has a lot to do with forming our tastes. I know this is a pretty obvious point, but this anecdote is worth mentioning.\u79c1\u306e\u7d39\u4ecb <\/strong> It was <\/em>\uff082021\u5e74\uff09\u3002 As such, I prefer their slow, melodramatic, and slightly kitsch fusion of doom and heavy metal, which allows me to enjoy both. <\/em> It beckons us all\u2026<\/em> \uff082024\u5e74\uff09\u3002 And while I’ve been fascinated by the band’s work (and enjoyed their preceding songs in the process), I’ve always come back to their contemporary work above all else, regardless of the general consensus about their work.<\/p>\nThis is all what I heard. <\/strong> As I mentioned earlier, my mind immediately associates their more recent works rather than any of the black metal albums that made them legends of the genre. So when the French quintet <\/strong> passed my radar <\/strong> As an FFO, I was interested. I, from the strange bazaar that is Voidhanger Records, learn to expect the unexpected. Despite being simply labeled “traditional doom metal” on RYM’s second record; <\/em> It will probably include something a little more unconventional. Proudly anti-fascist inclinations, it boasts an interesting narrative thread that explores the evocation of death across different points in our collective history, from the self-immolation of a US Marine in protest of genocide to the brutal class war that led to the massacre of the common people of Paris at the hands of the bourgeoisie in 1871.<\/strong> It looks like it’s ready to deliver something grand and profound. However, an attractive promotion does not necessarily create an attractive presentation. Do these freaky Frenchmen have the gusto to make good on their words?<\/p>\n\n\n