{"id":812,"date":"2026-04-20T17:47:00","date_gmt":"2026-04-20T17:47:00","guid":{"rendered":"https:\/\/yasbou.com\/?p=812"},"modified":"2026-04-20T17:47:00","modified_gmt":"2026-04-20T17:47:00","slug":"the-mysterious-disappearance-of-britains-answer-to-cohn","status":"publish","type":"post","link":"https:\/\/yasbou.com\/?p=812","title":{"rendered":"The mysterious disappearance of Britain&#8217;s answer to Cohn"},"content":{"rendered":"<p><\/p>\n<div id=\"article-body\">\n<p id=\"elk-607cca37-dc4c-4f2b-ab0b-71ee99b92f55\">British metal in the early 90&#8217;s was at its peak. It may not have had the commercial clout of grunge, but thanks to the efforts of Paradise Lost, Carcass, Napalm Death, Cradle of Filth, and many others, this small island nation was able to show that it could go head-to-head with what the United States was putting out, at least creatively. Then nu metal happened.<\/p>\n<p>With the rise of metal&#8217;s most polarizing movement, the genre&#8217;s focus shifted solely to what was happening within the United States. It wasn&#8217;t until the success of Bring Me the Horizon and Bullet for My Valentine, more than a decade after nu-metal&#8217;s year zero, that British bands achieved equal status with their American counterparts. Being a UK-based metal band for several years has been difficult.<\/p>\n<aside data-block-type=\"embed\" data-render-type=\"fte\" data-skip=\"dealsy\" data-widget-type=\"seasonal\" class=\"hawk-root\"\/>\n<p id=\"elk-607cca37-dc4c-4f2b-ab0b-71ee99b92f55-2\">For those who remember those days in the trenches, there was a band that many Brit metal fans truly believed could rival Korn and Limp Bizkit. They had the look, charisma, and sound that spoke to the metal zeitgeist.<\/p>\n<p><span class=\"article-continues-below block py-2 text-sm\">Article continues below <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" class=\"inline-block w-2.5 h-2.5 ml-2\" fill=\"currentColor\" preserveaspectratio=\"xMidYMid meet\" viewbox=\"0 0 1000 1000\"><path d=\"M1000 100L500 900 0 100h1000z\"\/><\/svg><\/span><\/p>\n<aside data-component-name=\"Recirculation:ArticleRiver\" data-recirculation-type=\"inline\" data-mrf-recirculation=\"Trending Bar\" data-nosnippet=\"\" class=\"clear-both pb-0 pt-2 mb-4\">\n        <span class=\"&#10;            flex&#10;            after:content-[''] after:flex-1 after:ml-4 after:my-[0.7rem] after:border-t after:border-solid after:border-t-[#ccc]&#10;            before:content-[''] before:flex-1 before:mr-4 before:my-[0.7rem] before:border-t before:border-solid before:border-t-[#ccc]&#10;            font-article-heading pb-0 !text-base uppercase sm:text-sm font-bold&#10;        \"><\/p>\n<p>            you may like<br \/>\n        <\/span><\/p>\n<\/aside>\n<p>\u201cA band in the scene that we really looked up to was Purkas,\u201d recalls Carl Middleton, vocalist of the equally beloved British band Earthtone 9. <em>metal hammer<\/em> \u201cThey had a very British, almost Killing Joke feel to them.\u201d<\/p>\n<p>London quartet Purkas seemed fully formed in the late &#8217;90s. 1998 debut album <em>greedy<\/em> Fans and critics kept praising them and then suddenly they disappeared. Never go back. What happened to Purkas will forever be a mystery. Isn&#8217;t it about time someone noticed?<\/p>\n<p>&#8220;Good luck!&#8221; enthuses former Murder One and Medulla Nocte vocalist Paul Cutten. <em>hammer<\/em> When asked about Purkas&#8217; whereabouts in 2017. &#8220;I don&#8217;t think anyone really knows where we went. It&#8217;s a shame. It&#8217;s a great band.&#8221;<\/p>\n<p>Here&#8217;s what we know: Purkas was formed in 1995 and consists of vocalist Luke Lloyd, guitarist Martin Bourne, bassist Jules McBride and drummer Rob Lewis. They were signed to Earache Records on the strength of their first demo tape, and played just 10 gigs before signing. As Earache Records founder Digby Pearson recalled on his blog in 2007:<\/p>\n<div id=\"slice-container-newsletterForm-articleInbodyContent-bVSRioWe2jZx6Zt8VAphAf\" class=\"slice-container newsletter-inbodyContent-slice newsletterForm-articleInbodyContent-bVSRioWe2jZx6Zt8VAphAf slice-container-newsletterForm\">\n<div data-hydrate=\"true\" class=\"newsletter-form__wrapper newsletter-form__wrapper--inbodyContent\">\n<div class=\"newsletter-form__container\">\n<section class=\"newsletter-form__top-bar\"\/>\n<section class=\"newsletter-form__main-section\">\n<p class=\"newsletter-form__strapline\">Sign up below to get the latest Metal Hammer news and exclusive special offers straight to your inbox.<\/p>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<p>&#8220;We&#8217;ve never bothered EarH for a contract,&#8221; McBride said. <em>Also!<\/em> 1997. &#8220;They called us directly and said they wanted us. Next thing we know, we&#8217;re recording an album in this huge old church!&#8221;<\/p>\n<p>\u201cI had offers from other places,\u201d Lewis continued. &#8220;It&#8217;s always a temptation when someone waves large sums of cash in front of you. But your integrity is just going to get messed up somewhere sometime, and we&#8217;re not interested in that.&#8221;<\/p>\n<p>Even before the song was released, the band was suffering from ear pain. Purkas shared bills with Godflesh, Bruce Dickinson, and Napalm Death, and also toured with labelmates Dub War and Misery Loves Company on the YearH tour. They quickly started gaining fans. Frontman Lloyd was a terrifyingly enigmatic presence on stage, often performing in sweaty venues with his windbreaker jacket zipped up to his chin. Their groove and &#8220;quiet-quiet-loud&#8221; dynamic earned them favorable comparisons to America&#8217;s finest metal at the turn of the millennium. Not that they cared much.<\/p>\n<aside data-component-name=\"Recirculation:ArticleRiver\" data-recirculation-type=\"inline\" data-mrf-recirculation=\"Trending Bar\" data-nosnippet=\"\" class=\"clear-both pb-0 pt-2 mb-4\">\n        <span class=\"&#10;            flex&#10;            after:content-[''] after:flex-1 after:ml-4 after:my-[0.7rem] after:border-t after:border-solid after:border-t-[#ccc]&#10;            before:content-[''] before:flex-1 before:mr-4 before:my-[0.7rem] before:border-t before:border-solid before:border-t-[#ccc]&#10;            font-article-heading pb-0 !text-base uppercase sm:text-sm font-bold&#10;        \"><\/p>\n<p>            What to read next<br \/>\n        <\/span><\/p>\n<\/aside>\n<p>&#8220;If there&#8217;s one thing we don&#8217;t like,&#8221; snorted Mr. McBride. <em>Also!<\/em> 1998. &#8220;We&#8217;re being compared to Korn and Tool, but we&#8217;re so much better than that.&#8221;<\/p>\n<p>Lewis describes his association with nu metal as &#8220;lazy&#8221;, adding: &#8220;Nu metal&#8230; it&#8217;s just an American thing to me.&#8221;<\/p>\n<p>debut album <em>greedy<\/em>It was recorded with Machine Head and Fear Factory producer Colin Richardson and released on April 27, 1998. In their 4 star review: <em>Also!<\/em> He called it &#8220;a piece of urban decay that could easily spark a revolution.&#8221;<\/p>\n<p>In the 9\/10 review, <em>metal hammer<\/em> &#8220;Remember the first time you played&#8221; <em>rain in blood<\/em> or <em>Burn My Eyes<\/em>?Well, there&#8217;s a new record to add to that hallowed list.? &#8221; Their critics ranked it fourth among the best albums of 1998, behind the star artists they covered at the time, Pitchshifter, Marilyn Manson, and Monster Magnet.<\/p>\n<p>When I ask again <em>greedy<\/em> It&#8217;s amazing that it still stands in great shape today. Lloyd&#8217;s quiet, cynical vocals beautifully complement his band&#8217;s throbbing grooves and dark atmosphere, while still screaming. songs like <em>rubber chamber<\/em>, <em>loaded<\/em>, <em>hippie fascist<\/em> and <em>this is it <\/em>It would come out by now and metalheads would shower it with praise.<\/p>\n<p>Purkas toured <em>greedy<\/em>co-starred with Jesus Lizard and Will Haven. However, within a year, <em>greedy<\/em>Purkas disappeared with the release of . There has been no official announcement and no clue as to where they were. They just ceased to exist.<\/p>\n<p>In 2002, three-quarters of the band, Lloyd, Bourne and McBride, returned, changed their name to I:Am:I, and announced they would play shows at The Garage in London. That show never took place and I:Am:I disappeared faster than Purkas.<\/p>\n<p>Since then, UK metal fans of a certain vintage have often brought up the band&#8217;s fate out of curiosity. Digby Pearson of Earache was asked on his blog in 2007 what happened to them.<\/p>\n<p>&#8220;Feeling that their greatness was worth more than the independent label they had just signed to, the band wasted no time in hiring a manager to pitch them to a major label,&#8221; he replied. &#8220;Even though they had signed us for three more albums. They cut off all contact with Earache, forcing us to fight for two years through lawyers to defend our legal and moral right.&#8221;<\/p>\n<p>For a while, that was the sum total of information about Purkas&#8217; death. Until now.<\/p>\n<p>\u201cWe have been promised great support for our UK headline tour and our US tour in support of Resident Evil,\u201d says drummer Rob Lewis. &#8220;But Earache let us down. We had a big publishing deal and a really big label said, &#8216;If you let us out of your contract, we&#8217;ll take care of it.&#8217; It was very exciting, but Earache dug their heels in. We did everything to get out of there, but nothing was enough. We just quit the band because we couldn&#8217;t legally be in the band anymore. Everything fell apart and we were angry&#8230;even at each other. \u201d<\/p>\n<p>Lewis went on to explain that Palkas had recorded a second album of material with Colin Richardson again, but it was left untouched.<\/p>\n<p>Lewis describes it as &#8220;bizarre.&#8221;<\/p>\n<p>&#8220;It sounded really good, but no one will ever hear it.&#8221;<\/p>\n<p>Lewis was not a member of I:AM:I and admitted that he had lost his passion at that point. He said others soon realized that &#8220;the spark was no longer there.&#8221; After the split, Purkas members spent about 10 years without speaking or meeting.<\/p>\n<p>For two of the members, it was fortuitous that some kind of realignment would occur. Lewis moved to Hastings and learned through a mutual friend that McBride had also recently moved to town. The two reunited and founded their current band, sludge metal crew Lustom, in the late 2010s. &#8220;There was no label, no pressure, it was just for a little fun.&#8221;<\/p>\n<p>One man Lewis has since lost touch with is the elusive vocalist Lloyd, who went completely off the grid after I:AM:I. Although McBride ran into him recently in London.<\/p>\n<p>&#8220;I just saw him crossing the street and called out to him,&#8221; Lewis said. &#8220;He just disappeared after the band ended, so it was a bit of a hit and miss. But at least one of us made contact with him.&#8221;<\/p>\n<p>So&#8230; could one of British metal&#8217;s great lost bands be ready for a comeback?<\/p>\n<p>&#8220;I don&#8217;t think so,&#8221; Lewis replied regretfully. &#8220;I mean, no one ever really asked. If there was a reason to try to get the band back together, maybe they could, but we just didn&#8217;t have any reason to try.&#8221;<\/p>\n<p>Despite everything they did, even if it didn&#8217;t happen, Parkas will always be remembered for giving British fans a moment, no matter how brief, when we believed metal&#8217;s next superstar was here.<\/p>\n<p>\u201cWe did what we had to do and had our moments, and no one can take that away from us,\u201d Lewis says with a smile. &#8220;I&#8217;m grateful that people still randomly show up and want to know where we went. I think they remember us. I&#8217;m happy about that.&#8221;<\/p>\n<\/div>\n<p>#mysterious #disappearance #Britains #answer #Cohn<\/p>\n","protected":false},"excerpt":{"rendered":"<p>British metal in the early 90&#8217;s was at its peak. It may not have had the commercial clout of grunge, but thanks to the efforts of Paradise Lost, Carcass, Napalm Death, Cradle of Filth, and many others, this small island nation was able to show that it could go head-to-head with what the United States &#8230; <a title=\"The mysterious disappearance of Britain&#8217;s answer to Cohn\" class=\"read-more\" href=\"https:\/\/yasbou.com\/?p=812\" aria-label=\"Read more about The mysterious disappearance of Britain&#8217;s answer to Cohn\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":813,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1628,2047,2048,2046,2045],"class_list":["post-812","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-answer","tag-britains","tag-cohn","tag-disappearance","tag-mysterious"],"_links":{"self":[{"href":"https:\/\/yasbou.com\/index.php?rest_route=\/wp\/v2\/posts\/812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yasbou.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yasbou.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yasbou.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yasbou.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=812"}],"version-history":[{"count":0,"href":"https:\/\/yasbou.com\/index.php?rest_route=\/wp\/v2\/posts\/812\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/yasbou.com\/index.php?rest_route=\/wp\/v2\/media\/813"}],"wp:attachment":[{"href":"https:\/\/yasbou.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yasbou.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yasbou.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}