The mysterious disappearance of Britain’s answer to Cohn

British metal in the early 90’s was at its peak. It may not have had the commercial clout of grunge, but thanks to the efforts of Paradise Lost, Carcass, Napalm Death, Cradle of Filth, and many others, this small island nation was able to show that it could go head-to-head with what the United States was putting out, at least creatively. Then nu metal happened.

With the rise of metal’s most polarizing movement, the genre’s focus shifted solely to what was happening within the United States. It wasn’t until the success of Bring Me the Horizon and Bullet for My Valentine, more than a decade after nu-metal’s year zero, that British bands achieved equal status with their American counterparts. Being a UK-based metal band for several years has been difficult.

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